These mysterious patterns are highly decorative but also conversation pieces.

We offer them in any size on any medium. Simply contact us for your preferred medium and size.You will find in this Category examples of the most popular size and with a classic simple framing, highlighting the piece without distracting from it.

A bit of History behind the Works:

Using interpretation of "ambiguous designs" to assess an individual's personality is an idea that goes back to Leonardo da Vinci and Botticelli. Interpretation of inkblots was central to a game, Gobolinks,[8] from the late 19th century. Rorschach's, however, was the first systematic approach of this kind.[9] The ink blots were hand drawn by Rorschach.[10]

It has been suggested that Rorschach's use of inkblots may have been inspired by German doctor Justinus Kerner who, in 1857, had published a popular book of poems, each of which was inspired by an accidental inkblot.[11] French psychologist Alfred Binet had also experimented with inkblots as a creativity test,[12] and, after the turn of the century, psychological experiments where inkblots were utilized multiplied, with aims such as studying imagination and consciousness.[13]

After studying 300 mental patients and 100 control subjects, in 1921 Rorschach wrote his book Psychodiagnostik, which was to form the basis of the inkblot test (after experimenting with several hundred inkblots, he selected a set of ten for their diagnostic value),[14] but he died the following year. Although he had served as Vice President of the Swiss Psychoanalytic Society, Rorschach had difficulty in publishing the book and it attracted little attention when it first appeared.[15]

In 1927, the newly founded Hans Huber publishing house purchased Rorschach's book Psychodiagnostik from the inventory of Ernst Bircher.[16] Huber has remained the publisher of the test and related book, with Rorschach a registered trademark of Swiss publisher Verlag Hans Huber, Hogrefe AG.[17] The work has been described as "a densely written piece couched in dry, scientific terminology".[18]

After Rorschach's death, the original test scoring system was improved by Samuel Beck, Bruno Klopfer and others.[19] John E. Exner summarized some of these later developments in the comprehensive system, at the same time trying to make the scoring more statistically rigorous. Some systems are based on the psychoanalytic concept of object relations. The Exner system remains very popular in the United States, while in Europe other methods sometimes dominate,[20][21] such as that described in the textbook by Evald Bohm, which is closer to the original Rorschach system and rooted more deeply in the original psychoanalysis principles.[citation needed]


If you choose to find out, below are some of the most popular interpretations per Card


Below are the ten inkblots of the Rorschach test printed in Rorschach's Rorschach Test – Psychodiagnostic Plates,[70] together with the most frequent responses for either the whole image or the most prominent details according to various authors.

Card Popular responses[71][72][73] Comments[74][75]
Rorschach blot 01.jpg
Beck: bat, butterfly, moth
Piotrowski: bat (53%), butterfly (29%)
Dana (France): butterfly (39%)
When seeing card I, subjects often inquire on how they should proceed, and questions on what they are allowed to do with the card (e.g. turning it) are not very significant. Being the first card, it can provide clues about how subjects tackle a new and stressful task. It is not, however, a card that is usually difficult for the subject to handle, having readily available popular responses.
Rorschach blot 02.jpg
Beck: two humans
Piotrowski: four-legged animal (34%, gray parts)
Dana (France): animal: dog, elephant, bear (50%, gray)
The red details of card II are often seen as blood, and are the most distinctive features. Responses to them can provide indications about how a subject is likely to manage feelings of anger or physical harm. This card can induce a variety of sexual responses.
Rorschach blot 03.jpg
Beck: two humans (gray)
Piotrowski: human figures (72%, gray)
Dana (France): human (76%, gray)
Card III is typically perceived to contain two humans involved in some interaction, and may provide information about how the subject relates with other people (specifically, response latency may reveal struggling social interactions).
Rorschach blot 04.jpg
Beck: animal hide, skin, rug
Piotrowski: animal skin, skin rug (41%)
Dana (France): animal skin (46%)
Card IV is notable for its dark color and its shading (posing difficulties for depressed subjects), and is generally perceived as a big and sometimes threatening figure; compounded with the common impression of the subject being in an inferior position ("looking up") to it, this serves to elicit a sense of authority. The human or animal content seen in the card is almost invariably classified as male rather than female, and the qualities expressed by the subject may indicate attitudes toward men and authority. Because of this Card IV is often called "The Father Card".[76]
Rorschach blot 05.jpg
Beck: bat, butterfly, moth
Piotrowski: butterfly (48%), bat (40%)
Dana (France): butterfly (48%), bat (46%)
Card V is an easily elaborated card that is not usually perceived as threatening, and typically instigates a "change of pace" in the test, after the previous more challenging cards. Containing few features that generate concerns or complicate the elaboration, it is the easiest blot to generate a good quality response about.
Rorschach blot 06.jpg
Beck: animal hide, skin, rug
Piotrowski: animal skin, skin rug (41%)
Dana (France): animal skin (46%)
Texture is the dominant characteristic of card VI, which often elicits association related to interpersonal closeness; it is specifically a "sex card", its likely sexual percepts being reported more frequently than in any other card, even though other cards have a greater variety of commonly seen sexual contents.
Rorschach blot 07.jpg
Beck: human heads or faces (top)
Piotrowski: heads of women or children (27%, top)
Dana (France): human head (46%, top)
Card VII can be associated with femininity (the human figures commonly seen in it being described as women or children), and function as a "mother card", where difficulties in responding may be related to concerns with the female figures in the subject's life. The center detail is relatively often (though not popularly) identified as a vagina, which makes this card also relate to feminine sexuality in particular.
Rorschach blot 08.jpg
Beck: animal: not cat or dog (pink)
Piotrowski: four-legged animal (94%, pink)
Dana (France): four-legged animal (93%, pink)
People often express relief about card VIII, which lets them relax and respond effectively. Similar to card V, it represents a "change of pace"; however, the card introduces new elaboration difficulties, being complex and the first multi-colored card in the set. Therefore, people who find processing complex situations or emotional stimuli distressing or difficult may be uncomfortable with this card.
Rorschach blot 09.jpg
Beck: human (orange)
Piotrowski: none
Dana (France): none
Characteristic of card IX is indistinct form and diffuse, muted chromatic features, creating a general vagueness. There is only one popular response, and it is the least frequent of all cards. Having difficulty with processing this card may indicate trouble dealing with unstructured data, but aside from this there are few particular "pulls" typical of this card.
Rorschach blot 10.jpg
Beck: crab, lobster, spider (blue)
Piotrowski: crab, spider (37%, blue),
rabbit head (31%, light green),
caterpillars, worms, snakes (28%, deep green)
Dana (France): none
Card X is structurally similar to card VIII, but its uncertainty and complexity are reminiscent of card IX: people who find it difficult to deal with many concurrent stimuli may not particularly like this otherwise pleasant card. Being the last card, it may provide an opportunity for the subject to "sign out" by indicating what they feel their situation is like, or what they desire to know.

Souce: Wikipedia

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